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1 | Discusses the concept of “pedagogical style of teaching vocal”. This term is understood by the author as vocal and educational complex that includes: professionally important qualities that characterizes vocal and pedagogical activity; personal qualities and character of the communication of the teacher with students; practical methods that reflect the specifics of singing activity (concentric method, phonetic method, explanatory and illustrative method in combination with the reproductive method of the internal singing (singing on the view), the method of comparative analysis). Describes the progress and diagnostic analysis of this concept in the University on the basis of the application of different methods and techniques: observation of practice, diagnostic techniques, survey of teachers and students. Supervision of the teachers of the vocals is represented in two interrelated aspects: interpersonal, reflecting the style of communication with students: functional business, identifying vocal teaching methods and peculiarities of organization of educational process in the classroom of the teacher-musician. On the basis of generalization of the research results revealed the most effective vocal teaching style in a higher educational institution. Keywords: pedagogical style of teaching vocal, diagnostics, diagnostic techniques, methods and techniques of vocal teaching | 1090 | ||||
2 | The article is devoted to the development and analysis of diagnostic vocal and choral skills of boys-cadets in the choir of Tyumen presidential cadet school. Based on the consideration of the concepts “skill”, “vocal skills”, “choral skills” introduces a working definition of the concept of “vocal and choral skills” of cadets. Describes some psychological and physiological characteristics of vocal-choir of boys-choristers. Taking in consideration specific professional orientation of cadets defines the components of vocal and choral skills, which are to be developed: first, pure tone, without which unison is impossible, and hence the choral tune, too; the command of different types of breathing and clear diction, which are necessary for the cadets for the development of command voice as well. Describes the diagnostic tools: performance, diagnostic tasks, levels of development of choral vocal skills; provides the analysis of the qualitative and quantitative characteristics development of choral vocal skills of the cadets at the initial and final stages of diagnosis. Defines the factors for the increased development of choral vocal skills in the boys choir of Tyumen presidential cadet school. Keywords: cadets, vocal and choral skills, presidential cadet Academy, diagnostics, components of vocal and choral skills | 920 | ||||
3 | The problem of teenagers’ communication with film art is considered, the urgency of forming a spectator culture for the younger generation in the classroom is explained from a practical point of view. The age features of adolescent children are determined, proving the necessity and expediency of forming a spectator culture among them: the tendency to imitate the heroes of a work of art, the desire to communicate in life and in art, the importance of the social nature of activity. An important component of spectator culture is singled out – an aesthetic attitude to cinema art, which is interpreted as an integral perception of the film in the unity of its content and form. For the planning and organization of further work with adolescents in the school film club, a questionnaire is conducted, the purpose of which is to determine the problems of communication between schoolchildren and filmmaking. The questions of the questionnaire are aimed at revealing the knowledge of adolescents about cinematography, the need to communicate with the best examples of cinematography, to determine the nature of the appeal to films (cognitive, entertaining, etc.). On the basis of the analysis of adolescents’ questionnaires, a number of questions and tasks have been formulated that need to be taken into account in the development of the curriculum for the cinema club, the subject of films for pupils’ perception, lecture classes (formation of a stable need for communication with highly artistic samples of cinema, knowledge of the specifics of the cinema, its types and genres; the exclusion of the surface perception of the works of cinematography, preference of entertaining cinema genres , etc.). Keywords: problems of communication with cinema art, spectator culture, adolescents, questioning, aesthetic attitude to film art | 975 |