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Home Issues 2019 Year Issue №1 CONSTRUCTION OF A COLOR COMPOSITION ON HARMONY PRINCIPLES BASIS
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Яндекс.Метрика Яндекс.Метрика

CONSTRUCTION OF A COLOR COMPOSITION ON HARMONY PRINCIPLES BASIS

Dolgikh Nikolay Andreyevich, Dolgikh Nadezhda Nikolaevna

DOI: 10.23951/2307-6127-2019-1-151-156

Information About Author:

Dolgikh N. A., Tomsk State Pedagogical University (uL. Kievskaya, 60, Tomsk, Russian Federation, 634061). E-mail: nadolgich@mail.ru Dolgikh N. N., National Research Tomsk State University (pr. Lenina, 36, Tomsk, Russian Federation, 634050). E-mail: dnn1410@gmail.com

The questions of construction of color composition are considered. For the artist-designer, the most important sections of the science of color are the aesthetic side of color, harmony of color relationships, the beauty of color in the picture. As in the creative process there are two stages: 1) inspiration; 2) development of initial ideas, the formation of long-term activity skills, the task of art education is to teach the ways of professional activity. Competence in the field of designing color compositions is effectively formed in the development of harmony of thinking (based on the study of the theory of harmony) and fixing in practice ways of bringing color relations into harmony (professional activity). The relationship of intuition and scientific approach in artistic creativity is provided through the systematic development of figurative and creative abilities, a sense of harmony, harmony of thinking, and the development of concepts about harmony and its features: integrity as the main feature of harmony, unity of opposites, proportionality, balance, stability. Creative abilities include: the ability to accumulate, master the baggage of knowledge, what has already been created by mankind, and the ability to break the stereotype, the willingness to take a step in the unknown.

Keywords: harmony, color harmony, color, integrity, contrast

References:

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2. Dolgikh N. A., Dolgikh N. N. Semanticheskiy podkhod v obuchenii tsvetovedeniyu i propedevtike v professional’noy podgotovke dizaynera [The semantic approach to teaching chromatics and propaedevtics in training of designer]. Trudy akademii tekhnicheskoy estetiki i dizayna – Proceedings of the Academy of Technical Aesthetics and Design, 2016, vol. 2, pp. 30–37 (in Russian).

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13. Vetrova I. B. Neformal’naya kompozitsiya: ot obraza k tvorchestvu: uchebnoye posobiye [Informal composition: from image to creativity: tutorial]. Moscow, Izhitsa Publ., 2004. 174 p. (in Russia).

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Issue: 1, 2019

Series of issue: Issue 1

Rubric: TECHNICAL EDUCATION AND DESIGN

Pages: 151 — 156

Downloads: 552

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